Art, Literature And Society From 1955-1970 Essay -- essays research pa

Fear and Loathing in a Clockwork AgeAh The noble search for identity. That intangible achievement that all artists lust by and by and position in torment over. And during the post war era that seek reached incredible magnitudes. The world cried out for legions of anti-heroes, who were only virtuous in their unapologetic and brutally honest lack of virtue. And the art world provided as many another(prenominal) counter culture messiahs as was needed to "Damn the Man". The Beats, flower people, and punks argon evidence that behind the white picket fence of suburbia lay an America that wanted more out of life than the sugar cover portrayals of domesticity and patriotism it received from pop culture. The unfortunate side of authenticity a lot lead to the conclusion that autonomy was an impossible dream and that just undefiled existence required an individual to compromise his integrity. The post-war generation developed an enkindle love-hate relationship with the trade culture of its time. Some, interchangeable Andy Warhol, embraced the inevitability of mass culturalization in order to control the beast (yes, this is a reference to Revelations). opus others recognized the American Dream as being a fabrication and so chose the G former(a)en Eternity instead.The Beat generation and early hippies sought to separate themselves from mainstream society where they believed they could start anew and fully feel life, liberty, and the pursuit of happiness. The flower child philosophy was in fact really Transcendental, minus the stuffy novel England mentality. The sexual, spiritual, and intellectual freedom and autonomy that characterized the Haight-Ashberry blastoff were closer to the Whitmanesque ideal than anything achieved during his life time. Postwar America was extremely leisurely from the stand point of the middle class white suburbanite. The only occupation was that not everyone fit that mold. And even those who were born into that environme nt often found its conventions limiting and unfufilling. At home the issues facing minorities went, for the most part, ignored. Jim bragging laws were allowed to stand in the south until major Supreme Court decisions like Brown v. Board of Education declared segregation to be unconstitutional. save even still that did not solve the problem of good old fashioned prejudice, which was as rampant as ever. And not every charr was delighted to once again be her husbands hous... ...ller didder and Roll in the Age of Celebrity. spic-and-span York St.Martins Press.1990Bessman, Jim. Ramones An American Band. impudent York St.Martins Press. 1993Doyle, Jennifer, Jonathan Flatley, and Jose Munoz. drink down Out Queer Warhol. Durham and capital of the United Kingdom Duke University Press.1996Banes, Sally. Greenich Village 1963. Durham and London Duke University Press.1993Lippard, Lucy R. Pop Art. London Thames and Hudson.1985Milbank, Caroline. New York Fashion The Evolution of American S tyle. New York Harry N. Abrams, Inc. Publishers.1989All Other SourcesAli, Tariq, Susan Watkins.1968 Marching in the Streets. New York Free Press.1998Allen, Donald M.ed. The New American Poetry. New York Groves Press.1960Burgess, Anthony.A Clockwork Orange. New York Ballatine Books.1963De Castelbajac, Kate. The Face of a Century coke Years of Makeup and Style. New York Rizzoli.1995Dodd, David. The Annotated Grateful Dead Lyrics A net Site. <a href="http//arts.ucsc.edu/gdead/agdl/songs">http//arts.ucsc.edu/gdead/agdl/songs. June 1, 1999Piccoli, Sean. The Grateful Dead. Philidelphia Chelsea House Publishers.1997Thompson, Hunter S.Fear and Loathing in Las Vegas. New York Vintage Books, a Division